Tuesday, December 22, 2009

Winter Solstice

Yesterday morning, I flew into Cleveland Hopkins Airport from New York, to spend Christmas at home with my parents. It was an eventful morning - getting out of New York the Monday after a blizzard, during which many weekend flights were cancelled proved difficult, although not impossible. I'd never seen LaGuardia Airport so busy, let alone at 5 in the morning! Upon landing, I was interviewed for a story on travel delays by Cleveland's local Channel 5 News.


Cleveland's proximity to Lake Erie gives it an advantage for yielding white Christmases due to what is known as "lake effect snow," and it's been snowing gently ever since I arrived. This evening, officially the longest night of the year, I took a walk on the grounds in front of my parents' house to take in the brisk air, and reflect on this season of hibernation. The short hours of sunlight, the life of plants dried into brown, crisp carcasses, the stillness of animals hidden or sleeping or having flown south, all laying groundwork for looking deeply inward - for letting go of last year's harvest, and preparing to start fresh next year. Decay brings both sadness and, then, new life. We cannot reach the new life without the period of decay. Winter asks us to go inward, to slow down, to unravel. And, unravel, many of us do this time of year - with old family scars and triumphs revisited, with familiar patterns reignited through reminders of our youth, and with appreciation for what has unfolded in our lives, and how far we've come.


Many Christmases I've looked out these giant windows at my parents' country home, and many times I've pondered my past and my future from the presence of a winter trip here. This year, something is new for me. I have no regrets. I am just observing. I am looking at where I came from, where I went, and where I might go from here, and this year, none of it feels so dire, yet all of it feels worthy of acknowledgment. Perhaps my youthful days of pushing and fighting as if I must stake a claim on my desires and demand their fulfillment are decaying under the snow, as nutrients for a blossoming attitude of acceptance and full presence in who I am, with trust in the way things always unfold. Perhaps the right amount of self-belief and effort are developing in me as I grow older, and like the seasons, something is turning in me, as my own pure nature makes appropriately tantamount my ego. Fighting and pushing are devices of excess, and the correct effort requires far less. In this dark, quiet time, I am glimpsing what I knew when I was five years old, when I fought for nothing, but just consistently did my best; and took a stand not through taking one, really, but simply by abiding in what is right.


There are certain things we come back to every year, like the darkness of winter, and there are things that have longer seasons. If we can let ourselves sink down, past the cerebral hustle and bustle, down past the sensitive heart that takes cover behind shields of laughter and defense, deeper, to a place where the movement is nearly imperceptible, like cells dividing in preparation of a new organism, we can find the microscopic turning of our own inner seasons. It manifests signposts as drastic as the heat of summer or the cold burn of snow. Yet, deep within, it is as mild and constant as our own breath, and the earth in its revolve around the sun.

Monday, November 30, 2009

Crafting a Personal Family Portrait

As my work has evolved over the past couple of years, I have realized that what most deeply interests me is people's stories. Whether it's the story of two people eloping to New York City from Australia, the details of a child's birth, or a tale of some haphazardly serendipitous occurrence, I love the recounting of immersion in experience through story.

Christy, one of my clients from this November's VIP Studio Day, shared with me her tale of multi-tasking as a mom, wife, and art director, in order to create a holiday portrait that would truly reflect her family's personality when they sent out their greeting cards this year. When she arrived on my set that day, I couldn't help but be impressed with the tone she had created through the carefully selected props and wardrobe. Here's the story in her own words:
The VIP Photo Shoot was Saturday. We decided to do it on Thursday night. Greg and I had batted around some fun ideas for holiday photos….but never committed to anything. So Thursday night I decided if we were going to do a VIP Shoot I had to style a VIP idea….in one day. Starting with a few items I knew we could get our hands on (antique skis from Greg’s design firm, a vintage fur white hat from my closet and a white coat) I came up with a mixed era snow theme.


First thing Friday morning I posted a request on the always amazing Bococa Parents Yahoo Group. I asked to borrow white ice skates (any size), white ski bibs (men's medium), tall white women’s boots (size 7) a vintage sled (ala rosebud), a white muff and white ear muffs. Then I bundled my 1 year old daughter, Mason, into her stroller and set out for the stores. Target was the best stop…I found ear muffs and a great pair of white vintage looking gloves. DSW for tall white boots for me…no luck. Next…Old Navy where I found fur boots for Mason and a white sweater …but no white coat in her size.

Rushed home to feed Mason her lunch (and to check for responses from Bococa Parents….nothing) then stuffed her back in the stroller in hopes that she would nap while we ventured into Macy’s to find Men’s white turtleneck sweaters, maybe a white coat for Mason and a white button down for me (for our “regular” shots…forgot to mention I was finding clothes for some normal photos as well). Found three sweaters for Greg to choose from (my favorite was a Sean John).


Mason woke up about 15 minutes into the trip so I plied her with rice cakes while I raced through the store, tried on and bought 3 white button downs and had no luck in the baby department. In the meantime I had put out a call to my friend Kimberly who has great shoes in my size. She had some tall white boots and lives across the street from the photo studio in Williamsburg…PERFECT! Remembered I had a vintage fur muff in a hat box in my closet. Greg was mountain biking with friends that day and secured a promise to borrow white men's ski pants from a friend. Just need a sled and a white coat for Mason. Have to feed Mason dinner and put her to bed…ARG! Got home and fed Mason….decided Mason could go to bed a bit late, got her back in the stroller…more rice cakes… and ran back out to The Children’s Place at the Fulton Mall. Found an excellent little white long sweater with an Eskimo style fur lined hood.

Back home satisfied with what I’d found….then FINALLY had a response from a Bococa Parents member. Turned out to be an old friend who happened to have a wooden sled hanging around the house. All set! Next morning we piled everything into the car, ran by my friend’s house to pick up the sled and headed to pick up the white ski pants. Oy! The first and only snag…Greg and his friend never set up a pick up time…he wasn’t home and wasn’t going to be for awhile. I shed a few tears then we headed back home to pick up some Khaki pants to try and blend with the white theme…after all Greg couldn’t go without pants (unless…he had some white boxers? No.). Next stop AvroKO on Elizabeth Street for the vintage skis then we headed to Williamsburg.


I transformed from panicked art director to pampered model when we were greeted at the gorgeous studio with champagne and cookies. The shoot was fantastic. Mason had fun kicking off her little fur boots and living it up for the camera. Sarah’s encouragement and enthusiasm made us feel like pros….and it shows. The photos are amazing…the difficulty is in narrowing down the options. We truly had a VIP experience.

-Christy Bradshaw, Brooklyn, NY
What I love most about Christy's family portraits is that you don't have to know the whole story to perceive that there IS one behind these photographs. And, the story itself is pretty impressive, too.


Saturday, November 7, 2009

Hip for the Holidays - Rock-n-Roll Family Portraits!

This weekend's family portrait shoot in Brooklyn ROCKED! Highlighted by some brilliant family photo set-ups, the day also included tasty meats and cheeses to accentuate the bubbly... and Hope, Faith & Gluttony absolutely smothered us in tasty sweets like cookies, cupcakes, and butterscotch bars - plus special gift bags with more treats for the road!






Stay tuned to the Sarah Sloboda | Photography facebook page for more highlights as they are processed. (And become a fan to receive the updates in your facebook feed.)

If you're interested in getting on the list for the next NYC studio day, send an email to rsvp@sarahsloboda.com.

Wednesday, November 4, 2009

VIP Studio Sessions, Rock-n-Roll-Style

Families get hip for the holidays!

Sarah Sloboda Photography announces the first in a series of VIP family portrait sessions for the holidays.

Gone are the days of snowflake sweaters and uncomfortable seats on a bed of faux leaves or with a background of synthetic pine trees. For hip families looking for more from their holiday portraits than saying cheese and posing awkwardly, Sarah Sloboda Photography offers a series of VIP family portrait sessions at the super-cool new K Studio in Williamsburg.

Beginning Saturday November 7th, Ms. Sloboda and her team will provide a swank studio space with tasty snacks from Hope, Faith and Gluttony and bubbly (for the grownups), as an environment for her photo-journalism inspired family portraits.

“People love the annual tradition of a holiday portrait, but parents want photos that capture their style and spirit – something that shows off their unique tastes,” Ms. Sloboda said of the inspiration for her VIP sessions. “A beautifully framed photograph makes a truly meaningful gift. Definitely better than a blanket with sleeves.”

Sessions are by appointment only and for $500 families receive a 40-minute rock-n-roll style photo shoot (families are encouraged to bring their own iPod soundtracks), super-fast proofing (three-day turn around) and a final package of two 8x10s, three 5x7s, and one digital file for holiday cards (gift list – DONE, in one fell swoop).


To request your timeslot, email rsvp@sarahsloboda.com or call 917.279.3445.


About Sarah Sloboda
Sarah Sloboda is a renowned New York City children's photographer and an optimist, inspiring people with photographic evidence of their lives working beautifully.

Trained in filmmaking and documentary-style photography, Ms. Sloboda's passion resides in anticipating a moment's emotional essence and ensuring its capture. Her rock-n-roll-style kids photography has also been featured in Wondertime magazine, and highlighted online in Urban Baby and A Child Grows in Brooklyn for its fresh, storybook approach to allowing kids to be fully expressive.
View her work at http://www.sarahsloboda.com.

Wednesday, October 14, 2009

Paris

"I've never been to Paris."
"What?!"
"Doesn't it seem like I've been to Paris?"
"Many, many times."
Several years ago, my friend and I were strolling down Broadway, having that conversation while I noticed a large patch of NYC sidewalk that had somehow been infused with sparkles, and made the ground glisten while we walked. He later wrote a beautiful song lyric, "You turn these leaden streets to gold," which always reminded me of that walk.

I studied French for 6 years, lived with a French roommate for 5 years, and dated a 1/2-French man for the better part of 2004. For the brief moment of my life when I was an architecture major in college, I studied the flying buttresses of Notre Dame, and for most of my young adult life have been bombarded by images of Paris - literal and figurative - through my studies and the company I kept. Let's not even start on my fascination with Henri Cartier-Bresson.

When I was in college, I directed a short on 16mm film, called "Au Café," (b&w still featured above) based on a piece I had written in a café in Ann Arbor, daydreaming about what it would be like once I had moved to New York, and been to Paris, and the strange fleetingness of an emotion's importance as its significance is changed over time. I wrote, "Soon I'll be in New York, then Paris, and all these words will just be words one day."

My father is obsessed with French culture - an obsession that spilled over from his interest in wine. He has constructed details all throughout my parents' home to emulate the architectural nuances. This past summer, I was home visiting, and my father said to me, "Did you know that Grandma has always wanted to go to Paris? First Grandma, then me, now you. Sarah, you HAVE to go."

That same week, I accepted an opportunity to fly to London to produce and direct a short film for my friend Clara, and decided that the 3-hour train ride was just too easy to pass up, and finally - after a veritable lifetime - I was going to Paris.

Immediately upon my arrival, Paris set out to prove itself just as magical as I had ever hoped. I walked out of my hotel and crossed the street to the Jardin des Tuilleries. A man pedaled up on a bike, and started asking me something in French. Six years of study instantly failed me, and
I apologized in English for having no idea what he was saying. "Ah! You're not French?" He said in a thick accent. "Where are you from?" I told him I was in from New York, and he gave me a look up and down and declared, "You are too stylish to be American!"

I walked approximately one city block through the park and found myself looking at the Louvre, framed by a pastel sky of soft light, blue and soft pink fluffs of cloud, and forgive the obvious metaphor, but it truly looked like a painting! I turned towards the river, and walked just one more block and down some stairs, et voila - I was walking along the Seine in the late afternoon sunlight. Right then, I knew this place was ethereal. It had crept into my dreams, and my thoughts, and my work, and my life, and when I got there it was not as if the dream had come to reality - it was as if I had finally fully stepped into the dream.

And, it was a miraculous dream, full of twists and nonsensical delights. Once, I walked right up to a cart in the middle of the street, and selected from a huge array of candies - soft and chewy ones, chocolately crumbly ones - filling a little white-and-pink-striped paper bag. I got a pizza from a hole-in-the-wall shop, and they put crême fraiche on it. Whenever I bought something, the shopkeeper would put extra little presents in my bag. And, every time I left a place, they said, "Au revoir," as if I were a long-lost friend, and they had been truly thrilled that I had stopped by.

In creative works from the French culture, like films and music, I have always sensed a certain ironic other-worldliness. Like the French saw some hilarious joke about life not being real - about the possibility that we don't have to take it all so literally - something they would imply, but if you weren't in on the joke, they weren't about to bother to explain. In Paris, I wondered if maybe none of it was real - if maybe I had finally fully understood the joke.

To view more photos of Paris, please visit www.sarahsloboda.com, as well as the Sarah Sloboda Photography facebook page.

Friday, October 9, 2009

London - Film Shoot, Flying and More

When my super-talented actress friend Clara Perez (with whom I collaborated on my 2003 short film, Métier) slightly jokingly asked me to come to London to direct a short film she had written, I immediately took the suggestion and ran. Within a few weeks of our first serious discussion, I was boarding the trendy Virgin Atlantic plane at JFK and on my way to her side of the pond to light, shoot, record, direct and produce Clara's project.

Clara's short, "The Accent Coach," is the story of Hester Sound, a fictitious accent coach to the stars and self-perceived guru, who is being interrogated in a faux Hollywood interview by a TV host named Charlie, played by Max Dowler. Also starring Damian Lynch, as a pseudo-voodoo-shaman, we think it promises to be a pretty hysterical little piece.

Since then, the directing bug bit me again, and new ideas are spawning for how to integrate my film school background back into my photographic practices. (I've also been playing with sound using this very cool little recording feature on my iPhone called iTalk Lite.)



Whilst in London, my birthday arrived! I treated myself to champagne flight on the London Eye, which offers pretty spectacular views of the city, particularly on a clear, sunny day, like my birthday turned out to be. In fact, for most of the time I was in London, I was lucky enough to see very little fog.

To view more of my photos from London, please visit my facebook page, and be sure to become a fan to get instant photo updates from wherever my wanderings take me.

Sunday, September 20, 2009

The High Line

This afternoon, at the end of a lovely portrait session starring a charming 2-year-old, I found myself atop New York City's High Line, and just had to take the opportunity for a stroll.

It was a perfect late summer day in New York - cloudless sky, warm air, cool breeze - and the sun was shining all over the place, literally. For those of you not familiar, NYC's High Line is old railroad bridges [turned urban park-space] that wind over, under, and through the buildings of Manhattan's west side.

It is located near the Hudson River, so as the sun went westward this afternoon, the nearby buildings reflected bright, beautiful light in all kinds of directions off the windows of the surrounding buildings. The result was something like movie set lighting, only more abstract.




I was fascinated with the way the light was playing into the landscape - I learned that much of the foliage was salvaged from the real growth that occurred on top of the once-used elevated train tracks, that had been left to the elements for decades, until the High Line's recent renovation. While there was something slightly artificial about the way it was bouncing around due to all of the reflective surfaces, it was still natural light, in that its source was the sun. It gave the whole scene a rather magical feel.




A tangential highlight to my excursion was running into a few friends as I tried to make my way out of the park - a ran into a friend of mine, and then a couple I'm friends with - and had one of "those" New York moments. My mom never used to believe me that in a city of eight million people you could, very often, run into people you know. Well, this one's for you, Mom: this afternoon, I ran into three people I know in five minutes' time, amidst wispy and flowering plants and heavenly light, hovering over West 18th Street.

So, the High Line is a truly magical place.